Best Vocal Effects Processors for Live Performances and Recording

Are you looking for the best vocal effects pedals and vocal processors for live performance and recording in 2018?

If you are, welcome to Sustain Punch, and let’s get started!

What exactly are vocal effects pedals?

Firstly, for people who are new to using vocal effects processors, let’s talk about what exactly they are and how they are used. Vocal effects pedals are electronic devices used in both a live and studio environment to enhance a lead or backing vocal with an underlying vocal effect, this could be Reverb, Delay, Echo Flange, EQ, Low-Pass Filter, Pitch Correction/Autotune, etc.

These effects are often used by artists, live on stage, to emulate the studio-version of a particular song. Although vocal effects processors are used in a studio environment, to add an effect to an existing vocal take, they are more often used in a live performance environment.

Being a singer myself, I realise that other singers will have different vocal requirements for what they want in a vocal processor. So this article will focus on the best vocal processors that offer singers multiple features/effects in a single stompbox. So you can get the most usability for your buck!

These are called vocal multi-effects pedals

Therefore, if you are looking for a pedal that only offers a specific feature, please take a look at the following articles featured below, otherwise, enjoy! 😀

Who requires a Vocal Effects Processor?

Any vocalist who performs on-stage and is looking to improve the overall sound of their vocal performance would find a vocal effects processor useful.

Some people, mainly ‘vocal purists’, may not look kindly on the use of vocal effects pedals that digitally alter the sound of a singer’s natural voice; and although such artists who have built a career on heavy use of vocal effects I.E Cher, T-Pain would disagree with this opinion, it’s certainly clear that other instrument players are not criticized with the use of live digital enhancement, making the point against singers using vocal effects processors quite irrelevant and somewhat short-sighted.

An example being a guitarist of bassist using effects, i.e bass octave pedals

Now, I can understand the point that some people make, about wanting to see a live performance of a vocalist, and not want to hear the equivalent of a robot singing on-stage; But what people fail to realise is that all vocal effects can be controlled, monitored and limited, and therefore subtle use of these effects can have dramatic effects on the vocal performance; making it sound utterly natural.

Perhaps you’re looking at vocal effects processors because you naturally sing slightly flat/sharp in places and want to have a subtle amount of pitch correction, alongside some enhancements such as EQ and Limiting.

Although you can train to improve your pitch accuracy and vocal tone over a period of time, there will always be fluctuations in your v0cal performances, and this is felt by new singers to experienced singers. Therefore incorporating a vocal effects processor can limit the unpredictable nature of the voice, giving you some reassurance that you will be able to iron out some of the minor mistakes within a performance because after all, you want to give the audience a fantastic performance.

Features of vocal effects pedals/processors

There are a variety of different vocal effects processors available on the market; Some of these pedals have specific single uses, an example being vocal looper pedals, vocal autotune pedals, etc.

Other vocal effects processors have a range of vocal effects integrated within the same physical unit. Because of this, the unit is slightly more expensive than if all of the aforementioned effects were purchased seperately.

Some of the more commonly used vocal effects include:

  • Harmony – Providing 1-2 additional vocal harmonies above/below the main inputted signal
  • Looping – Providing a looped reitteration of the inputted signal until turned off
  • Dedicated inputs/outputs for external instruments which will be plugged in – This is an additional feature and is especially useful for singers who also play guitar
  • Pitch correction – Providing a frequency nudge of the inputted signal, depending on whether it’s slightly sharp or flat
  • There are other vocal effects to choose from, there include, vocal delay, reverb, echo, doubling, chorus, etc.


Vocal Effects Pedals for Live Performances and Studio Recording

Vocal effects processors are a great solution for singers looking to have one pedal on stage or in studio. A common mistake that singers make, who might not necessarily know much about vocal effects pedals, is that they don’t spend enough money on one…

Remember, this single vocal effects unit will save you the job of having to purchase:

  • separate pedals,
  • a pedal-board,
  • an external power supply and
  • plenty of 1/4 inch jack leads to inter-link these processors

All of this equipment would cost hundreds and hundreds to purchase… So it’s worth making a decent initial investment into a vocal multi-effects pedal, (this is only if you’re looking at having multiple vocal effects in one unit). Also, each pedal has it’s own unique means of operation, therefore having multiple pedals from different brands would require more effort on the singers part to operate, which isn’t great when you’re in a live environment, trying to give the audience a vocal performance of a lifetime.

However, we understand everyone has a budget, so we’ve given out the recommended solution at different price-points.

Best Vocal Effects Pedals of 2018

For the quick-purchasers out there, we’ve featured all of the top 5 vocal effects pedals in the table below:

ProductManufacturerModelPriceOur Recommendation
TC-Helicon Voice Live Play TC-HeliconVoiceLive PlayFind out current priceSingers without Instrument - Below $300
TC-Helicon Voice Live Play ElectricTC-HeliconVoiceLive Play ElectricFind out current priceSingers with Electric Instrument - Below $300
TC-Helicon Voice Live Play AcousticTC-HeliconVoiceLive Play AcousticFind out current priceSingers with Acoustic Instrument - Below $300
TC-Helicon VoiceLive 3 TC-HeliconVoiceLive 3Find out current priceAbove $600
TC-Helicon VoiceLive 3 ExtremeTC-HeliconVoiceLive 3 ExtremeFind out current priceAbove $700 - Can play backing tracks + Increased Loop Time


Best Vocal-effects processor/pedal below $300 for singers without a guitar

TC Helicon Voice Live Play – (4.4 / 5)

Best Multi Effects pedal below $300 - TC Helicon Voice Live Play

Best Vocal-effects processor/pedal below $350 for singers with Electric Guitar

TC Helicon Play Electric Vocal Effects Processor – (4.4 / 5)

TC Helicon Play Electric Vocal Effects Processor

Best Vocal-effects processor/pedal below $300 for singers with Acoustic Guitar

TC Helicon Play Acoustic Vocal Effects Processor – (4.4 / 5)

TC Helicon Play Acoustic Vocal Effects Processor

You might be wondering, what exactly is the difference between all of these TC Helicon Play processors.

Well, the core functionality is exactly the same,

  • Footpedal
  • Roomsense Functionality
  • Pitch Correction
  • Microphone Control Functionality with MP-75/56 and Sennheiser E 835 FX
  • Tap Tempo
  • Looping (15/30/60 second intervals)
  • Vocal effects (Reverb, Delay, Harmony, Doubling, Hardtune)


However, the pedals differ in their guitar effect functionality, as you can see from the chart below.

VoiceLive Play                     VoiceLive Play Electric             VoiceLive Play Acoustic

Multi Effects Vocal Pedal Comparison Chart

As you can see from the VoiceLive Play, Electric & Acoustic comparison chart. Despite the pedals looking very similar and having an identical core functionality, there is a huge difference in guitar effects functionlity.

Therefore, for singers who play either the electric or acoustic guitar, the VoiceLive Play Electric or VoiceLive Play Acoustic is certainly the most appropriate processor to choose.

For singers who do not need the added functionality of having an integrated guitar effects processor, I would suggest using the original VoiceLive Play.


Best Vocal-effects processor/pedal above $300 for singers

TC-Helicon VoiceLive 3 –  (4.6 / 5)

TC-Helicon VoiceLive 3 processor over $300

TC Helicon VoiceLive 3 processor over $300


The TC Helicon VoiceLive 3 is the ideal multi-effect vocal solution for singers who are really serious about wanting to incorporate that studio refined sound within their live performance. The processor has over 500 loaded presets and many more features shown below

  • ‘Roomsense’ & ‘Natural Play’ (For effective real-time harmony/pitch correction analysis)
  • 45 Minutes Looping time (8 Mins per track limit)
  • Midi Synchronization
  • Vocal Effects (Reverb, Delay, Harmony, Doubling, Hardtune, Transducer, Umod, Vocoder and Rhythmic)
  • Guitar Functionality (Tuner, Reverb, Delay, Umod, Distortion, Octaver, Rhythmic, Wah Wah, Compressor, EQ, Amp Modelling, Control per preset)
  • 1 XLR in, 2 XLR out, TRS in (Vocals), Instrument In/Thru, Guitar Direct Out, Aux in, SPDIF, Headphone Out, Exp pedal in.

Now this will be the perfect multi-effects processor for most professional singers.

However, if you’re looking for increased looping time (5 Hours in total – 8 Mins per track limit),

with the capability to play backing tracks, then I would suggest looking at the VoiceLive 3 Extreme.

The only downside to this device is that it lacks the Midi Syncronisation that the original version has.


Best Vocal-effects processor/pedal above $300 for singersTC-Helicon VoiceLive 3 Extreme – (4.8 / 5)

TC Helicon VoiceLive 3 Extreme Best Multi effects pedal over $300

TC Helicon VoiceLive 3 Extreme Rear Panel vocal processor

We realise that all of these pedals are created by TC Helicon. That’s no surprise since they are one of the companies leading the way in voice/vocal effects for singers.

The multi-effects vocal solutions we offer are certainly a must for singers looking to transform their performance. For under $300 you can have a pedal for both studio/live use that has a surplus of functionality.

It really is a small price to pay for such a large sounding difference, suitable for the professional singer/songwriter.



























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